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Breaking down the Lyrics on ‘Hollywood’s Bleeding’ by ‘Post Malone’

Released: 2019

Label: Republic Records

Featuring: DaBaby, Halsey, Future, Meek Mill, Lil Baby, Ozzy Osbourne, Travis Scott, SZA, Swae Lee, Young Thug

Delving into the lyrical underworld of ‘Hollywood’s Bleeding’ – a chart-topping album by the genre-blending maverick Post Malone is like embarking on an auditory journey, one where the destination is as unpredictable as the artist himself. Since his debut, Malone’s distinctive fusion of hip-hop with rock, pop, and country aesthetics has left indelible marks on the contemporary music scene. This prolific artist always keeps us guessing, pushing boundaries and challenging hip-hop conventions like few dare to.

This 2019 opus brims with heavy-hitting numbers like ‘Wow’, ‘Enemies’ and ‘Take What You Want’, each track a testament to Malone’s musical prowess. On one end, the lyrical genius puts us onto his melancholic vibe with ‘Circles’ and ‘Goodbyes’, digging into the tumultuous world of romantic disarray. Meanwhile, tracks like ‘Internet’ and ‘Die for Me’ offer insight into his commentary on fame and betrayal.

Through his words, Post Malone paints a vivid image of his struggles and successes, weaving a narrative that oscillates between the glitz of Saint-Tropez to the alleys of Spider-Man’s New York. The lyrics are as diverse as the collaborators – with hip-hop royalty like Future, Young Thug, and DaBaby lending their skills, along with the legendary Ozzy Osbourne and genre-bending SZA, providing sonic diversity.

So let’s get into it. From ‘Hollywood’s Bleeding’ to ‘Wow’, here are the in-depth breakdowns of the lyrics on ‘Hollywood’s Bleeding’ by Post Malone.

Hollywood’s Bleeding

The lyrics reveal a tale of disillusionment and despair, with Hollywood being metaphorically portrayed as a vampire town that devours its inhabitants. Malone’s introspective bars paint a picture of a city reduced to ashes, a place where dreams give way to the sobering realities of life in the fast lane. His words subtly allude to the destructive power of fame and substance abuse, issues that often plague those at the apex of stardom. Post employs a tone of melancholy resignation, suggesting that despite the disillusionment and decay, one can’t help but call the bleeding Hollywood, home. This track underlines Post Malone’s evolution as a lyricist, weaving a tapestry of contemporary issues into a compelling narrative.


The repetitive “I’ve been waiting for a long time,” hints at the grind he’s been on before the fame kissed his cheek. Versace, Bud Light, a yacht, and a necklace for his girl, each symbolize the rapper’s shift from want to wealth. His Abercrombie & Fitch abs and Versace boxers serve as a reminder of his transformation from Average Joe to poster boy. And here’s the clever bit – the ‘check wrist’ line in the hook ain’t just about flaunting an ice-dripped wrist, it’s a nod to his constant grind, a lifestyle where time is money. Post Malone ain’t sorry for his vices, and why should he be with his star steadily rising?

Enemies (feat. DaBaby)

The beat booms while Malone and DaBaby shed light on the complexities of fame, noting the fickleness of friendships, the allure of greed, and the paranoia that often accompanies success. Each bar is a testament to their experiences, lacing each line with tales of trust lost and credibility gained. The harsh reality of seeing friends turn into enemies is laid bare, creating an introspective space within the chaotic whirlwind of celebrity life. In navigating these troubled waters, Malone and DaBaby assert their own self-worth, remaining unapologetic about their journey, their success, and the enemies they’ve made along the way.


It’s an unfiltered commentary on destructive relationships, where love is as intoxicating as any drug. Post dishes out his emotions in a rough and tumble delivery, reflecting the chaos and damage such connections cause. He uses the metaphor of allergy to depict his reaction to a destructive relationship, one that he is paradoxically drawn and repulsed by. He confesses to using pills and drugs to numb himself, underscoring the pain and despair enveloping him. “Allergic” emerges as a brave examination of the darker side of love, painted in hues of deep blues and heartrending grey by one of hip-hop’s most distinct voices.

A Thousand Bad Times

He paints vivid pictures of toxic love, with the lyrics dripping in metaphors of destruction and damage, all while underlining an unyielding spirit. The words tell a story of a man so used to the drag of bad times, he’s become resistant to it. His unique blend of hip-hop pathos and rockstar resilience shines through as he continues to chase love despite the cost. It’s an empathetic anthem for the heartbroken, and a testament to Post’s undeniable art of turning sorrow into gold. Ain’t nothing phony about Posty’s relationship with adversity, and this joint makes it clear.


Malone elegantly wraps his raspy vocals around the story of a love that’s fizzled out, painting the picture of two folks stuck in an unending cycle of breakups and makeups. The repeated phrase, “we’re running in circles,” serves as a poignant metaphor for a relationship that’s stuck in a loop, perpetually motioning, but not advancing. Meanwhile, Malone’s references to the changing seasons underline the temporal shifts synonymous with the lifespan of relationships. It’s therapeutic, it’s relatable, and it’s one of the most emotive tracks off ‘Hollywood’s Bleeding’.

Die For Me (feat. Future & Halsey)

It’s an indignant anthem to deceit and betrayal, pulling no punches with its lyrical blows. The track is laden with regret, remorse, and a fierce pushback against disloyalty. Post’s refrain, where he laments broken promises of undying fidelity, is echoed by Future and Halsey’s verses, each bringing their unique perspective on toxic love. The trio masterfully tap into feelings of disillusionment, as the track crescendos from quiet resignation to a powerful denouncement. The raw emotion in their verses adds another layer to Post’s narrative of Hollywood’s falseness and superficiality, making “Die For Me” an assertive standout in the album.

On The Road (feat. Meek Mill & Lil Baby)

The lyrics are thematically dense, laced with resilience, defiance, and an unshakeable drive. Malone repeats about never folding under pressure, a direct nod to the trials he has faced throughout his skyrocketing career. His assertion of being ‘on the road’ echoes the transient nature of fame and success, and the solitary journey in the industry. Bureau-beating lines delivered by Meek Mill and Lil Baby further strengthen the song’s narrative of triumph in adversity. Overall, the song is an anthem chronicling the relentless determination required to navigate the hip-hop game and retain authenticity amidst the chaos.

Take What You Want (feat. Ozzy Osbourne & Travis Scott)

Post brings the heat with lyrics that articulate heartbreak and betrayal, reimagining the vivisections of love and trust into a sonic tableau of hurt. Malone embodies the voice of a victim, a lover betrayed, surrendering his all, only to be answered with deceit. A clever lyrical juxtaposition from Travis Scott’s verse flips the narrative, reinterpreting heartache as empowerment, turning stones into ice chains. The concept of turning pain into power dominates this record, with a narrative arc that transitions from vulnerability to resilience, a testament to Post’s versatility as a storyteller.

I’m Gonna Be

The track showcases Malone’s rebellious spirit, as he repeatedly declares his intent to be and do whatever he wants, defying societal norms and expectations. The lyrics reflect his love for extravagance and luxury – diamond simon, $80K mink, thousand dollar Crocs – offering a look into his lavish lifestyle. But the quintessential Malone spirit of resilience that’s laced throughout his discography is also present here. He’s ‘goin’ hard ’til he’s gone’ – reflecting his relentless work ethic and determination to run it up, suggesting that his ambition isn’t just about materialism, but about leaving a legacy in the game.

Staring At The Sun (feat. SZA)

The track is jam-packed with raw emotion and brutal honesty, demonstrating Post’s genre-bending savviness. He’s mingling hip-hop with elements of pop and trap, painting a vivid picture of a tumultuous relationship. Post’s lyrics reflect his own introspection and delicate handling of fame’s double-edged sword. The yearning in his voice complements SZA’s soulful contribution, adding further weight to the narrative. This emotional ballad stands testament to Post Malone’s lyrical evolution and showcases his ability to translate complex emotions into catchy melodies.

Sunflower – Spider-Man: Into the Spider-Verse

Malone captures the complexity of maintaining a relationship amidst chaos, the struggle of not letting go, even when it’d be easier. He characterizes his muse as a sunflower, sturdy and vibrant, overshadowing the dirt it grows from – a poignant symbol of beauty persisting through adversity. The song’s unshakable hook drives the narrative forward, Post’s lyrical introspection mirrored by the listener’s own contemplation of loving too much, losing control, and longing to stick by even when the dust rises.


Post navigates between being objectified and the real paranoia of privacy invasion, thanks to leaks and digital overexposure. Poking at the pretentious social media façades like pseudo-modeling and Insta-love, he weighs in on the superficiality dominating our networks. The chorus pitches for ignorance as bliss, hinting at his retreat to a more authentic reality offline. Malone also reflects his own celebrity experiences, spotlighting intrusion and alienation catalyzed by the internet. Ultimately, he leaves us pondering the price we pay for a web-woven existence, as he famously bellows: “Well, fuck the internet, and you can quote that.”

Goodbyes (feat. Young Thug)

Post takes us on a rollercoaster of emotions, from the numbness of drinking to forget, through the stubbornness of a failing relationship. Thugger offers a unique counterpoint, with his verse painting a picture of possession, paranoia and distractions. They both grapple with the theme of goodbyes, acknowledging their inability to let go and the futile desire to change their significant others, while realizing they need to work on themselves as well. It’s a raw and real track, combining catchy melodies with profound emotional depths.


He talks about living his life in the fast lane, filled with showbiz glamour, fame, fortune, and all the ills that come with it. Highlighting the hollowness of success in terms of material wealth, he expresses a longing to reminisce his past, wishing he could’ve experienced his own rise to stardom as an onlooker. The clever play of words in the lyrics also sheds light on the smokescreen of the ‘American Dream’ often sold in today’s society, subtly challenging the listener to question the meaning of success and fulfillment. It’s a psychedelic introspection that further cements Posty’s place as a creative genius in the Hip Hop landscape.

I Know

With raw honesty, Malone outlines a bond once sweet, now soured and shrouded with deceit. Insinuating his partner’s duplicity and continuous infidelity, Post paints the picture of a lover who’s more a seductive devil than an angel of affection. The emphasis is on a repetitious cycle of heartache, where he straps himself willingly to a rollercoaster of false hopes and devastating letdowns. There’s an air of painful self-awareness, a painful acceptance of unrequited feelings and a grim portrayal of love warped into a game of relentless torment.


In his lyrics, Malone lays bare the realities of newfound fame and success, with references to designer labels and expensive toys. His journey from feeling overlooked to being the center of attention is captured in the verses, with a subtle nod to the doubters who threw shade before he hit it big. The intoxicating blend of confidence and indifference gives the track an edge, as Malone continues to forge his unique path in the rap scene, leaving everyone saying “Wow”.

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