Released: 2023
Aiight, let’s get into “THANK GOD” by Travis Scott. This track lays bare an artist in the zenith of his career, laced with spiritual undertones and introspection. It paints a picture of personal trials, success, and the uncertainties of life’s rollercoaster. Travis celebrates the highs, acknowledges the lows, but above all, gives thanks for life and the ability to breathe.
We kick off with the opening chorus, where Travis acknowledges divine guidance (“He won’t mislead all His followers”) and his faith in the process despite challenges (“Prayin’ on the process, minus Spirit”). He’s feeling like he’s at the peak of his success here (“Floatin’ in my prime time”) but he keeps it 100, reminding us that we only have “one life” to live.
Scott then gets real about the inevitability of tough times (“Goodbyes, that’s life”) and the importance of cherishing the good ones (“Fun times, for life”) while simultaneously expressing his relief for freedom (“Thank God I’m free tonight”). He even throws in a reference to his constant struggle against negative forces (“Got God on the line, Tell the devil I’m fine”).
In the next segment, Scott highlights his rise to the top with his homies (“Top of the pole, me and my bros”) and pays homage to BMF (Black Mafia Family), an infamous drug trafficking organization that represents the epitome of success, albeit through illicit means. He acknowledges the hardship he faced, stating “This shit sound hard, It wasn’t made easy.”
Now, onto the second chorus. It’s very much reminiscent of the first, but with the poignant line, “Thank God I breathe tonight.” This shows his gratitude for surviving every turbulence life throws at him.
As we roll into the third verse, Scott drops some wisdom, stating “‘Cause shit I speak is what they need, I tell no lies.” Here he confirms his authenticity – he ain’t frontin’. He reflects on his discography, hinting he ain’t done yet (“Last tape was filled up with slaps, I guess gotta run this shit back”). He ain’t afraid to own up to his disappointments (“Didn’t like the way that shit went down at the awards, I admit it, turned to a beast”) but bounces back stronger (“This that shit right here that get me goin’, after I pop me a piece”).
In the latter part of the verse, Scott touches upon his growth as an artist (“The way we evolved and knocked down walls, this shit’s outrageous”). He throws shade at law enforcement, the notorious “12,” giving props only to Tom Brady of the gridiron. He affirms his self-worth (“Can’t short my stock, I still stack tall, you still can’t trade me”) and subtly references his daughter, Stormi (“Storm’s a minor but you know she livin’ major”).
Lastly, Travis rounds up the track discussing his recent escapades in Vegas and hitting the news headlines (“Mornin’ time, we check the news, we made the papers”). From the lyrics, it seems clear that Travis Scott has found a way to balance his life’s ups and downs with gratitude and self-reflection. A dash of braggadocio never hurts either in the rap game, and Travis is not shy about serving it up. This is a track that weaves spirituality, success, struggle, family, and fame into a compelling hip-hop narrative. Thank God for dope tracks like these.
