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Meaning of ‘2000 B.C.’ by ‘Canibus’

Released: 2000

Canibus’s “2000 B.C. (Before Canibus)” is a heavyweight lyric fest, packed with the kind of complex rhymes, deep references, and aggressive style that fans have come to expect from him. He’s blending his prowess in battle rap with historical and cultural shout-outs, showing off his skills and knowledge, not just as a rapper but as a force in the hip-hop world.

The song kicks off strong, with Canibus comparing his rapping and fighting skills to the likes of Mike Tyson and Muhammad Ali. He’s saying his words hit as hard as these legends’ punches, knocking rivals out of the competition. When he talks about “the beautiful blend of power and strength from the top of my head, down to where my toe cuticles end”, it’s his way of saying he’s the total package, unmatched in both physical and lyrical ability. The references to “voodoo verse” and “Kennedy curse” highlight his ability to bring down anyone, using his words like magical spells or inevitable curses that leave his opponents with no escape.

Through the hook, Canibus acknowledges his absence in the game but promises he’s back with solid rhymes that are meant to elevate the standards. He’s challenging others to step up their game, emphasizing his return as something the hip hop world has been missing. The repetition of “It’s been a long time” serves as a reminder of his legacy and influence in the industry.

In the following verses, Canibus dives deeper into his dedication and passion for hip-hop, stating he lives and would die for it. His lines “You mad at the last album, I apologize for it” could be seen as a jab at critics and fans who were disappointed with his previous works, suggesting he’s not only back but better than ever. He’s confident in his latest project, urging listeners to invest in it, metaphorically to “double up and put a dime on it”. Canibus doesn’t shy away from calling out those he believes are diluting the art, including a swipe at mainstream trends with the “cum helium” line, criticizing artists who he feels are inauthentic or shallow.

Canibus closes with an assertion of his greatness, claiming his dominance in the rap game predates even the most foundational elements of history and culture. He’s not just part of the rap scene; he positions himself as an integral part of its very fabric, claiming a godlike status with lines like “I was nice before ice, Before Christ, before the words let there be light”. This verse is not just about his longevity but his foundational impact, suggesting he’s an eternal figure in hip-hop.

“2000 B.C. (Before Canibus)” is more than just a song; it’s Canibus staking his claim as an undying legend in the rap game. His intricate rhymes, heavy punches, and historical references construct a narrative of a rapper who’s not just making music but making history, demanding respect and recognition for his contributions to hip-hop.

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