Released: 2020
“Mr. Right Now” is a collaborative track featuring 21 Savage, Metro Boomin, and Drake that delves into the themes of fleeting romantic encounters, status, and living in the moment. The song discusses how relationships are often about temporary satisfaction and enjoying the present rather than long-term commitments. The artists explore personal indulgence, the influence of fame, and the balancing act between their public personas and private lives.
Starting off with a commanding “Metro!” which is Metro Boomin’s signature tag, the song immediately asserts itself as a powerhouse production. The hook introduces 21 Savage promising to ‘slide anytime you want,’ which means being available for casual encounters whenever the other person desires. ‘Put you in Chanel, I’ma teach you how to stunt’ signifies spoiling his partner with luxury while demonstrating how to show off that wealth and lifestyle.
When 21 Savage says, ‘Slip and slide like a waterfall, You need some TLC, we can creep if you want,’ he’s offering a metaphor for physical intimacy, suggesting both passion (‘slip and slide’) and the ability to have a secret, clandestine relationship (‘creep’ is a nod to the TLC song of the same name about sneaky relationships). The phrase ‘Turn your phone off, take your clothes off’ is about shutting out distractions for intimacy.
In this verse, 21 Savage describes himself as a ‘savage’ in demeanor yet someone who can ‘make love to a slow song,’ indicating a blend of toughness with a romantic or sensual side. He acknowledges he isn’t looking for anything serious—‘I ain’t Mr. Right, but I’m Mr. Right Now’—but rather enjoying the momentary pleasure. It’s an acknowledgment of temporary relationships over lasting ones.
Drake’s entrance is smooth, further elaborating on the concept of enjoying transient connections. The line, ‘Said her last man was always playin’ Drake songs,’ references his pervasive influence, possibly humorously. Then Drake admits to once dating the artist SZA, introducing real-life elements into his lyrics, blending fact and entertainment, which is typical of Drake’s style.
‘More concerned with blowing up than growing up’ speaks to a youthful focus on success and fame rather than maturing in a personal sense. Drake talks about how these relationships are part of his lifestyle, involving moments that might not have deeper meaning but still resonate as part of his experience. He likens himself to a ‘slow stroke king,’ underscoring his self-proclaimed prowess in romantic situations.
The chorus repeats 21 Savage’s theme of living in the now, demonstrating an appeal that mixes luxury (‘Put you in Chanel’) with discreet relationships. His recurring assertion that he’s ‘Mr. Right Now’ encapsulates the central motif of the song, suggesting a no-strings-attached engagement focused on immediate gratification rather than future obligations.
As the song progresses, the vivid imagery and cultural references become clear: 21 Savage talks about his wealth (‘1942, it ain’t no Chardonnay’), the impact of his music lifestyle, and the fluid nature of his romantic liaisons. His references to Sade and luxury cars add layers of richness to his persona—conveying sophistication, while not being tethered to anyone emotionally.
The last verse addresses 21 Savage’s mistrust of commitment in environments associated with conflict or tension (‘stay in apartments I got beef at’). His blunt and direct communication underscores his commitment to self-preservation over emotional investment, supported by his statements about personal defense (‘Hit her with my glizzy, boy, I keep that’).
In closing, “Mr. Right Now” plays with the notions of modern romance, mixing fun and caution, and navigating fame’s pitfalls. This collaboration blends 21 Savage’s gritty style with Drake’s emotive touch, set against Metro Boomin’s smooth production. The track paints a vivid picture of the artists’ attitudes towards romance, fame, and their personas in the limelight.
