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The Best of Ludacris’ Solo Songs Ranked by Fan Votes

From the streets of Atlanta to the top of the charts, Luda’s journey has been nothing short of legendary. His discography is a treasure trove of hits, each track a testament to his versatility, from club bangers to introspective jams. Over the years, Ludacris has not only left his mark as a solo artist but has also collaborated with a who’s-who of the music industry. His tracks have seen him join forces with legends and rising stars alike, proving that his artistry knows no bounds. Whether it’s setting the airwaves on fire with his own unmatchable style or spicing up a track with his unforgettable guest verses, Ludacris has cemented his status as a hip-hop heavyweight.

So let’s get into it. From song Diamond In The Back to song Act A Fool, here our fans vote to rank the best of Luda’s solo hits.

1 Act A Fool


Released: 2003

Made iconic through its connection with the “2 Fast 2 Furious” movie, serves as a call to go wild and embrace the chaos of life’s challenging moments. With lyrics that bounce from conflicts with the law, to personal confrontations, to partying despite adversity, Ludacris spins a narrative of resilience through rebellion. “Talkin’ about gats, traps, cops and robbers, it’s 911 please call the doctor,” stands out as a line that perfectly encapsulates the track’s blend of humor, defiance, and a touch of the dramatic. Luda’s delivery of clever rhymes over a thumping beat makes “Act A Fool” an unforgettable anthem of resistance and fun in the face of trouble.

2 How Low


Released: 2010

Ludacris packs the track with a catchy hook that challenges, “How low can you go?”, inviting dancers to prove their skills on the dance floor. The song is a celebration of dance and movement, all while showcasing Luda’s penchant for witty wordplay and engaging storytelling. It’s not just a song; it’s a call to the dance floor that few can resist, pushing boundaries of how boldly one can express themselves through movement.

3 Get Back


Released: 2004

It’s a sonic uppercut, fueled by a blend of aggressive lyrics and a relentless beat that captures the essence of Ludacris’s persona – a no-nonsense powerhouse in the hip-hop game. Signature lines like “Get back motherfucker, you don’t know me like that” are not just words; they’re a manifesto. Ludacris uses this track to cement his position, making it clear he’s not one to be trifled with, all while delivering a banger that’s as much about asserting dominance as it is about getting the party started.

4 Rollout


Released: 2001

Luda’s flow over this Timbaland-produced beat is a flex in lyrical prowess and showcases his unique ability to command attention while keeping it light, proving that in the world of hip-hop, you can still lay down the law and have everyone bouncing at the same time.

5 Splash Waterfalls


Released: 2003

There’s a clever use of its chorus to juxtapose two desires, capturing the duality of human nature in matters of the heart and flesh. Luda lays it all out with the lines, “They want it nice and slow, kiss them from head to toe, relax and let it go, say it, make love to me. They want it now and fast, grabbin’ and smackin’ ass, you gotta make it last, what? Fuck me.” It’s a candid exploration of the multifaceted desires that define our most intimate connections, delivered with the undeniable charisma and flow that only Ludacris can bring to the table.

6 Number One Spot


Released: 2004

Riddled with pop culture references, making it not only a display of lyrical dexterity but also a testament to Ludacris’s ability to connect with listeners through shared knowledge. A standout line that epitomizes the song’s essence and Ludacris’s determination to reign supreme in the rap game is, “Whoa! Don’t slip up or get got! (Why not man?) I’m comin for that number one spot! (Alright)”. This line, delivered with Ludacris’s charismatic flair, encapsulates the competitive spirit of hip-hop, asserting his ambition to outshine his peers and maintain his top-tier status.

7 Ho


Released: 2000

It’s a track that has Luda playing with words against a backdrop of bouncing beats, making it impossible not to nod your head to. The track walks a fine line, critiquing individuals who display certain behaviors while also acknowledging broader societal hypocrisy. One of the hardest hitting lines, “Can’t turn a ho into a housewife, hoes don’t act right,” encapsulates the song’s blunt message. Ludacris delivers an unforgettable and controversial anthem that’s as catchy as it is provocative, ensuring it a spot in hip-hop conversations.

8 Butter.Atl


Released: 2021

Draped in confidence, Luda is flexing his lyrical prowess and solidifying his legacy as an Atlanta rap titan. With a hook that celebrates the flash of success—”Ice givin’ me the chills / Drank, I never let it spill”—Luda reminds us of his journey from the streets to the pinnacle of hip-hop royalty. A standout line, “Ludacris spreadin’ my gift like Jif / And I’m stuck in ya grill like peanut butter,” encapsulates his smooth delivery and impactful presence in the industry, sticking with fans long after the track ends.

9 Call Ya Bluff


Released: 2015

Through fierce lines, Luda takes a jab at those who’ve doubted him, elevating his legacy while underlining his readiness to confront any challenger. A standout moment is when he spits, “You act as if Ludacris just came and took your ho, nigga / You’s a ho, nigga, yeah I said it twice.” This line isn’t just a verbal punch; it’s Ludacris calling out the fakers, asserting his dominance, and reminding us all why he’s one of the greats.

10 Diamond In The Back


Released: 2003

With a smooth flow, Luda reminisces about growing up in an environment where aspirations seem bounded by the neighborhood’s limitations, yet the desire for a better life is undying. The track reverberates with themes of ambition, survival, and the universal quest for luxury as a symbol of success. A standout line that encapsulates this spirit is, “When I grow up, you just wait, Ima be so straight, And everything’s gonna be so marvelous”, illustrating not just a personal dream but a narrative shared by many trying to escape the grips of poverty. “Diamond In The Back” is a soulful journey through the desires that motivate us, wrapped in a gangsta lean.

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