Released: 2017 • Features: Eminem
“No Favors” by Big Sean featuring Eminem is not just a track; it’s a testament. Big Sean lays it all out, emphasizing self-reliance, resilience, and the refusal to seek or accept favors on his path to success. Eminem, on his verse, dives into his distinct, controversial style, blending wordplay with cultural and personal references. Together, they create a narrative about making it on their own terms, battling against odds, and standing tall amidst adversity and critique.
Big Sean kicks off the track with a clear message: “Make it, make it, make it, boy, we gotta make it.” Here, Sean underlines the hustle, the need to achieve without leaning on others for assistance – “You can save your hand, I ain’t gotta shake it.” He’s addressing the superficial networking culture, insisting on genuine success without the fake exchanges. He speaks of opportunities “lined up for the taking,” but he clarifies, “And what I need from ’em? No favors.” It’s about earning every scrap, no shortcuts.
The Detroit native delves into his work ethic, “I’m about getting the job done, boy up every night,” showcasing his relentless grind. He contrasts luck with calculated risk – “I’m about rolling a seven, when I toss up the dice.” Sean does not rely on luck; his moves are deliberate, aiming for success even if it bears risk. “I’ve been talking to God like that’s my therapist,” reveals his internal dialogues and reflections, emphasizing a journey of self-discovery and resilience despite systemic and societal obstacles as an African-American man.
Sean’s tribute to his roots, “The D to Flint,” highlights his awareness and connection to broader social issues, like the Flint water crisis. The line “Only deals I have is from the Sam’s Club” cleverly plays on wholesale purchases versus record deals, asserting his independence while also nodding to financial prudence. “Born in a world going where they told me I can’t go,” and “While we alive when we die, we gon’ be the gods,” Sean expresses an ambition to transcend limitations and leave a lasting legacy, reinforcing the theme of self-made success.
Eminem, in his verse, unleashes with his trademark intensity and controversial flair. His references range from the comic to the deeply personal, with lines that push boundaries and challenge the listener. Eminem’s prowess in wordplay is evident as he juggles internal rhymes and aggressive metaphors. Notable is his statement, “I’m turning into the Aaron Hernandez of rap,” likening his unpredictability and dominance in the rap game to the infamous NFL player’s turbulent story. The latter part of his verse becomes a whirlwind of cultural references, shocking imagery, and critiques of political figures, demonstrating Eminem’s fearlessness in addressing contentious topics. His call-outs to systemic injustices, like the references to Sandra Bland and Philando Castile, bridge personal angst with broader social commentary. Eminem concludes with a defiant stance against Donald Trump, showcasing his willingness to challenge authority figures directly.
Throughout “No Favors,” both artists weave a complex narrative about overcoming adversity, rejecting superficial support, and forging their own paths. Their shared message is clear: Success is to be earned, not given, and they are willing to face the challenges head-on, with no favors asked and none given. The song is a defiant anthem of self-reliance, showcasing both Big Sean and Eminem’s lyrical prowess and depth.
