Released: 2009
Wale’s ‘Pretty Girls’ is a celebration of femininity and charisma, reveling in the presence of beautiful women. The track encapsulates the essence of good times and social gatherings, where charm, allure, and spontaneity take center stage. Throughout the song, Wale, alongside Gucci Mane and Weensey of Backyard Band, weave their lyrics with imagery and cultural references to craft an ode to captivating women and the experiences surrounding them.
The hook sets the tone for the track by highlighting the universal allure of pretty girls, wherever they might be. When Wale asks the questions “do they smoke?”, “what do they know?”, and “can we go?”, he is probing the potential for a shared connection or adventure. The repetition of ‘pretty girls’ emphasizes their captivating presence and acts as an anchor throughout the song.
In the first verse, Wale utilizes a series of playful, flirtatious exchanges to convey his admiration for a woman’s appearance and presence. The imagery of ‘sunshine in the air’ and ‘perfume everywhere’ sets a vibrant scene filled with beauty and energy. Lines like “A lime to a lemon, remind you of the sky / When I’m in it, we on cloud nine for that minute” reflect an intense, albeit fleeting, sense of euphoria shared with the pretty girls he admires.
Wale continues with lines that reference both personal and regional pride. Mentioning ‘D.C. that’s me’ and ‘Prada say Prada’ creates a duality between local identity and high fashion, underscoring his confidence and appeal. The allusion to being a Libra hints at his charm and diplomatic nature, adding another layer to his suave persona.
The second verse, performed by Gucci Mane, introduces a shift in focus. Gucci maneuvers through vivid descriptions, including extravagant displays of wealth and flirtation. References to “yellow stones on my wrist remind me of a slushy” highlight the luxurious, iced-out jewelry associated with high status. The portrayal of pretty girls “rioting” captures their power and influence, upending typical social dynamics.
Gucci’s section further includes various geographical shoutouts and playful interactions, showcasing the wide appeal of these ‘pretty girls’. By mentioning different backgrounds and regions such as Rhode Island and Atlanta, Gucci Mane acknowledges the diversity of beauty. This builds upon the notion that ‘pretty girls’ transcend borders, blending urban and cultural landscapes into one seamless picture.
The refrain featuring Weensey of Backyard Band brings the audience back to a call-and-response format, instructing ‘ugly girls be quiet, pretty girls clap like this’. It adds a rhythmic chant that involves the audience directly, adding energy to live performances and bridging the song’s narrative back to the dance floor setting.
Wale returns with a smooth, boastful third verse, enhancing his allure through brand name drops and playful wordplay. “Switching four lanes in that 09′ Range while I’m singing old Tre sh-” illustrates his wealth and nostalgic influence. References to regional identifiers like ‘new D.C. sh-‘ serve to create a cultural snapshot of style and influence that is unique to Wale’s world.
In Wale’s concluding lines, the reiteration of ‘live for tonight before tomorrow’s amnesia’ becomes a philosophical nod to living in the moment. The ephemeral nature of youth and beauty is captured, reinforcing the song’s overall hedonistic theme. It’s about cherishing the now, especially in the presence of the pretty girls that inspire such a lifestyle.
“Pretty Girls” ultimately serves as both a celebration and reflection on the influence and impact of women. In an industry often dominated by masculinity, Wale, Gucci Mane, and Weensey offer a spirited homage to women who possess the confidence and presence to command any room. The track weaves elements of social commentary, culture, and admiration, reflecting both a time-honored appreciation for beauty and the unique personal stories behind it.
