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Meaning of ‘Or What’ by ‘NLE Choppa’ feat. 41, Kyle Richh

Released: 2024

The song “Or What” by NLE Choppa, featuring 41 and Kyle Richh, revolves around the explicit themes of sexual relationships and encounters. The track adopts a blunt and direct approach, conveying the desires and actions typical of the nightlife culture. With candid lyrics and heavy emphasis on physical intimacy, the song captures a sense of urgency and a raw depiction of casual sexual encounters.

In the hook, the phrase “Bitch, is we fuckin’ or what?” is a provocative and straightforward question, setting the tone for the rest of the song. It’s indicative of an impulsive and spontaneous attitude, showcasing a desire for no-strings-attached relations. The repeated questioning acts as both a call and a challenge, highlighting a fast-paced lifestyle that values immediate satisfaction.

Throughout the verses, NLE Choppa employs vivid and graphic imagery, with references to sexual acts and metaphors such as “Let me nut on your butt.” Here, the slang ‘nut’ refers to male ejaculation. The frequent repetition of “Ay” interjects energy and emphasis into the lyrics, maintaining the rhythmic flow and illustrating the fervor and boldness behind the desires being expressed.

The verse that follows takes listeners into more explicit content with the mention of body parts and the mechanics of sexual activities. References to riding and fighting liken sex to a physical and possibly competitive sport, underscoring themes of dominance and enjoyment in physical exertion. The mention of “Scary movie, she wanna record it” adds another layer, suggesting that this encounter might be perceived as adventurous or taboo.

Kyle Richh takes a turn in painting the picture with lines like “If she not fuckin’, she gotta get depart,” reinforcing the urgency and disposability seen in these casual encounters. It speaks to a hedonistic approach to life, focusing solely on pleasure without any commitment or sentimentality. The ‘dash like a hyphen’ and references to Freddy create imagery of speed and night-time thrill.

As the song progresses, there’s a constant emphasis on materialistic and indulgent lifestyles with references to expensive hotels and luxury. This suggests that part of the allure and attraction in these scenarios is rooted in status and wealth, and their perceived power to entice and control the outcome of relationships. The language remains gritty and street-smart, typified by the raw energy of nightlife and fast living.

The phrase “Is we fuckin’? I’m not tryna see what them hips do” flips expectations, directly contrasting curiosity or traditional courtship. It depicts impatience and a lack of interest in emotional connections. It emphasizes the importance of getting to the end goal without indulging in the intricacies of the journey.

As NLE Choppa’s verse resumes, a darker side is revealed with the reference to drugs. The mention of pills and Percocets implies the intertwining of substance use with these sexual escapades, which often represents a coping mechanism or enhancer in this fast-paced lifestyle. These references also serve as a reminder of the complexities and potentially destructive sides of this hedonistic approach to life.

There’s an introspective twist when he questions if he were “a bad bitch” or “a ratchet,” stating that he would still want to engage in such behaviors, thereby showcasing an understanding or an attempt to empathize with those who partake in similar actions. The verse becomes almost self-referential, as it critiques the lifestyle it initially glorifies.

In summary, “Or What” is a brash exploration of modern, casual sexual relationships that emphasize pleasure, materialism, and indulgence. It brings forward an unfiltered portrayal of desires within the culture, accentuating how themes of love, wealth, and physical satisfaction interlace in the nocturnal backdrop of hip-hop. NLE Choppa and Kyle Richh’s collaborative effort adds diversity to the narration, enhancing its authenticity by providing different perspectives on similar themes.

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