Emerging from the grime-laden streets of East London, D Double E stands as a lyrical gladiator, a true architect of the UK grime scene. From the raw, underground circuits to commanding the glow of the mainstream spotlight, this MC has delivered bars that resonate through the core of UK hip hop and beyond. Holding down the mic with the agility of a prizefighter and the wisdom of a street philosopher, D Double E’s music catalog is a treasure trove of anthems that have defined eras.
Tracks like the seismic “Street Fighter Riddim” have become the stuff of legend, a clarion call that can turn any room into a frenzied homage to the culture. But it’s not just the high-octane bangers that define D Double E’s repertoire. Soulful introspections and a knack for storytelling elevate cuts such as “Ghetto Love Story” and “Prayers” to a level that goes beyond the typical grime blueprint. Across projects like ‘Jackuum!’ and through legendary collaborations, his voice remains unmistakable, etched with the grit of the streets and the polish of a seasoned vet.
Whether he’s laying down the law on “Bluku! Bluku!” or weaving narratives of triumph and struggle in “Glory,” D Double E’s range is impressive. His ability to jump on a track with the likes of Skepta in “Ladies Hit Squad,” or to hold his own with lyrical titans Ghetts and Kano in “Class of Deja,” showcases his adaptability and staying power in a game that’s always in flux.
So let’s get into it. From the raw energy of “Street Fighter Riddim” to the profound narratives of “Ghetto Love Story,” here are the Top Songs by D Double E.
50. Disrespect – D Double E
Now, this cut might sit at the bottom tier of the list, but don’t get it twisted – even the least of D Double’s discography can body a lot of the mainstream noise out there. “Disrespect” is gritty, it’s raw, but it ain’t the heavyweight champion in the grime rapper’s catalogue, nahmean? The track might lack that infectious hook or that earthquake-inducing bassline that man like D Double E often delivers, but it still packs a punch with its no-nonsense bars and that eerie vibe it’s laced with. It’s more of an acquired taste, a track for those who appreciate the subtler shades of UK grime and the less-is-more attitude. Solid, but just not the pinnacle of this Newham General’s lyrical warfare.
49. Prayers – D Double E
This joint’s got depth, man – we’re talking personal introspection over a beat that’ll have you nodding your head while you’re lost in thought. It’s a step away from the braggadocio and instead delves into something more spiritual, which in the game of grime, where the bravado is king, feels like a fresh page. “Prayers” may not have that same fire and brimstone energy of E’s most iconic bangers, but don’t sleep – the bars are contemplative and delivered with the conviction of a man who’s seen things. It ain’t just music, fam; it’s a whole mood.
48. Pace – D Double E
D Double E brings the energy to a boiling point on this one, dropping bars with a velocity that keeps up with the track’s title. The beat slaps hard, and E rides that rhythm with the ease of a vet who’s been in the game since time. It’s a relentless assault of lyrical agility, a showcase of how to keep the tempo without losing a drip of substance. It’s the kind of track that gets the blood pumping, the speakers bumping, and the crowd jumping. When D Double E steps to the mic with this kind of ferocity, you best believe the whole scene sits up and takes notice. “Pace” ain’t just a song; it’s a sprint through grime royalty’s playbook.
47. Started – Ambush Buzzworl
46. Huddle Up – D Double E
This joint ain’t just about flow; it’s a signal flare, lighting up the game to remind heads of his unrivaled command in the grime scene. The energy on “Huddle Up” is that huddle before the final play, the riled-up circle, the shoulder-to-shoulder stomp that gets the adrenaline pumping. D Double E spits with a confidence that’s contagious, laying down bars that feel like commands rather than lyrics, rallying troops with the force of his voice alone. It’s that kind of standout track—less about proving something and more about asserting what’s already known: that D Double E is irreplaceable in the game.
45. Nang – D Double E
D Double E flexes his unmatched flow and rhymes that hit you like a one-two punch straight to the dome. The beat? It’s grimy, it’s raw, it’s got that bounce that makes heads nod uncontrollably. And trust, D Double E marries his lyrical prowess with the production in a way only a few can. He paints pictures with his words, every line a stroke of genius, storytelling like he’s got the street’s spirit flowing right through him. “Nang” ain’t just a banger, it’s a testament to E’s status in the game – a vet displaying why he’s been at the top of the food chain for so long. When he spits “I’m nang,” believe that, ’cause in this grime scene, he’s not just participating, he’s leading the charge.
44. D DOUBLE E INTERLUDE – SBTRKT
This ain’t your typical rollick through the vocal gymnastics D Double is known for; it’s different, it’s a breather in the midst of SBTRKT’s genre-bending soundscape. Here, D Double E flips the script, lending his iconic tone to an instrumental interlude that merges the worlds of Electronic music with Grime’s gutteral essence. He ain’t spitting bars on this track; it’s more like he’s blessing the beat with his presence, a cosign that nods to the cultural exchange between the UK’s underground scenes. It’s less about lyrical finesse here and more about the vibe, the atmosphere, the pure feeling of the moment— where the grooves are deep and D Double’s voice is the guiding pulse.
43. Old School Flex (feat. D Double E & Izzy Bizu) – Jords
42. Back Then – D Double E
We diving deep into the roots of D Double E, tracing the steps from his come-up to where he’s standing now, tall in the game. It’s a reflective cut, no doubt, where he’s weaving through memories like a maestro, while dropping knowledge about the struggles and come-ups. The production got that nostalgic feel, you know? It’s like flipping through an old photo album with D Double E narrating the gritty tales of yesteryears. There’s a profound respect for the past etched into every verse, but it’s not just reminiscing—it’s also a testament to growth. In essence, “Back Then” ain’t just a backtrack; it’s a foot-stomping, head-nodding salute to the days that shaped the legend.
41. Contact Us – D Double E
D Double E flips the script and schools cats on connectivity in the digital age, rhyming over that infectious beat that hooks you from the jump. It’s a track that pairs his lyrical prowess with a hook that’s sticky, dripping with the essence of UK grime. The man oscillates between aggressive calls to action and that smooth, almost conversational type spitting, crafting a tune that resonates with listeners beyond their speakers. It’s like he’s broadcasting directly to the streets, to the heart of the scene, reminding everyone that this ain’t just music—it’s a movement, and D Double E’s got the number you need to dial in.
40. That’s Too Much – Dizzee Rascal
If you’re into Dizzee, then you surely spin classics like “I Luv U” or “Fix Up, Look Sharp” which cut through the airwaves like a hot knife through butter, establishing him as a grime pioneer. It’s all about that sharp-witted East London cheek and the beats that hit you in the chest. So if “That’s Too Much” slipped through the crates, it’s all good—there’s a treasure trove of grimey goodness in Rascal’s discog that’s just waiting to be unearthed.
39. Bad 2 Tha Bone – Various Artists
The alliance of artists here, with D Double E at the forefront, they descend like an apex crew, each emcee brandishing their unique lyrical weaponry, but it’s D Double E’s unmistakable tone—a sonic badge of street legitimacy—that tips the scales. His verses roll hard over the beat, a testament to his stature as a heavyweight in the scene. They’re casting shadows on the standard, setting bars that others would need a pole vault just to graze. “Bad 2 Tha Bone” ain’t just bad—it’s lethal. It’s a symphony of controlled aggression, a blueprint of how to flex mastery without losing an ounce of the raw street essence that is grime’s beating heart.
38. For The Culture – Sons Of Kemet
37. Ghetto Love Story – D Double E
We’re not just talking about another love song here; it’s a glimpse into the complexities and struggles of romance when you’re from the ends. That’s the power of D Double E; he paints pictures that are raw and unpolished, with an honesty that gets under your skin. There’s a grit to “Ghetto Love Story” that’s undeniable, a sonic snapshot that captures the heart behind the hard exterior, making you feel the highs and the lows with a beat that mirrors every emotion. It’s where Hip Hop meets the heart of the city, and only a true veteran like D Double E could make it sound so visceral and true.
36. Variation – Big Zuu
35. Fresh N Clean (Silence the Critics) – D Double E
The Godfather of Grime had the scene in a chokehold, with every jaw on the floor over that Ikea advert flipping heads with its holiday vibes. The track swaggers into the arena with that trademark D Double dynamism, oozing confidence and style so iconic, your speakers practically need a fresh trim too. It’s like he’s walking straight out of the barbershop, game face on, dismissing haters with a flick of the comb. The beat knocks hard, a clean backdrop for the MC to serve up unapologetic braggadocio while neatly sidestepping the critiques with every rhyming couplet. “Fresh N Clean” is more than just a dope cut; it’s D Double E flexing lyrical muscle, leaving the critics gobsmacked and the fans with an anthem to rinse out the year.
34. Again – Jme
Jme, a master of his craft, serves up bars with a finesse that’s sleek yet aggressive like a streetwise panther on this banger. The beat’s minimalism underscores Jme’s lyrical prowess, making “Again” a tune that ain’t just about listening; it’s about observing the craft, the intellection behind every spit and the barefaced cheek of grime at its most elementally potent. And Jme? He’s that unapologetic voice bringing the genre back to its roots while eyeing the future boldly. “Again” crystallizes his reputation as a grime virtuoso, forever uninterested in the mainstream’s polish, yet shining brilliantly in the underground.
33. G’s Only (feat. Chip) – D Double E
Chip)” Yo, when you talk about “G’s Only”, you’re diving straight into a track where D Double E stamps his authority alongside Chip, another heavyweight in the scene. This tune ain’t just a song, it’s a summit meeting of lyrical bosses. Both artists bring their A-game, flexing their street credentials over a beat that’s as tight as their rhymes. It’s an anthem for the mandem who keep it 100, a salute to authenticity in a game flooded with pretenders. Their chemistry is fire, sparking bar for bar, bouncing flows off each other like they’re sharing wisdom in a cipher. “G’s Only” is that track you blast when you need to be reminded of what unadulterated UK hip hop sounds like – raw and unapologetically real.
32. Bluku! Bluku! – D Double E
When you talk about grime anthems that slap you in the face with their raw energy, this track is frontline. D Double E, with his legendary status in the scene, rips through the beat like it owes him money, serving bars that are nothing short of iconic. Every “Bluku! Bluku!” ad-lib is a shot fired in the air, a call to rally, that gets the crowd going wild. It’s not just a track; it’s a war cry, a cultural moment that had heads turning and acknowledging D Double E’s heavyweight status in UK music. This track encapsulates what grime’s all about – aggressive flows, tight production by Dizzee Rascal, and a no-holds-barred attitude that’s as infectious as it is intimidating. When “Bluku! Bluku!” comes on, best believe it’s not just a song – it’s a statement.
31. Take It Back (feat. D Double E & Kiko Bun) – Swindle
Swindle sets the stage with beats that feel both nostalgic and fresh, crafting a soundscape that’s a tapestry of past and present. Then you got D Double E stepping in, lending his distinctive flow, blending the classic with the contemporary in a way only a veteran can. His rhymes are a nod to the days gone by but are firmly rooted in today’s hustle. And let’s not sleep on Kiko Bun, who blesses the track with smooth, buttery vocals, bridging genres and generations. Together, they forge a joint that’s all about reverence for their roots while still pushing boundaries—proof that evolution in music often involves a glance in the rearview.
30. Very Original – Guvna B
29. Man Like Me (feat. D Double E & Jaykae) – Steel Banglez
D Double E & Jaykae Let’s get it straight, fam, when you see Steel Banglez, D Double E, and Jaykae on a tracklist, you know it’s about to be more fire than a backyard barbecue in August. “Man Like Me” ain’t just a tune, it’s a power move, an alliance of different styles and energies syncing up to create something that bangs hard in every postcode. D Double E jumps in with his distinctive flow, mixing up the pace like a wizard on the decks, while Jaykae brings that raw Birmingham truth, grounding the track in reality. The production? Glossy yet gritty, like a diamond found in the mud. This track ain’t just a banger, it’s a statement, a testament to the culture and to every “Man Like Me” out there grinding.
28. Scene – Chip
Partnered with the indomitable energy of the grime scene vets Jammer, D Double E, Jme, Miraa May, and Wiley, the track is nothin’ short of an all-star rally call, a roll call of who’s who, each verse like another skilled fighter entering the ring. Chip stands firm, spitting with his trademark precision, laying down a challenge to any and all contenders who think they can step to the throne. It’s an auditory showcase of skills, a collision of flows where each MC brings their A-game, bouncing off one another, escalating the hype till the track explodes with the raw power of the UK sound. “Scene” ain’t just a song, it’s a statement — a heavy-hitting reminder of Chip’s stature and influence in the rap game.
27. It’s Me Again – Mitch
If you’re looking to dive deep into another one of D Double E’s bangers, though, I got plenty to talk about when it comes to the UK grime legend’s arsenal of hits. From gritty anthems that get the underground buzzing to tracks that have us nodding with a mix of reverence and hype, D Double E’s catalog is a treasure trove for any Hip Hop aficionado looking to explore the gritty lanes of UK’s finest. But as for “It’s Me Again” by Mitch, looks like we hit a blank wall here.
26. Where Do We Come From? – D Double E
This ain’t your typical banger; it’s a narrative, a statement, dipped in introspective hues and thought-provoking rhymes that stick to your ribs. The East London MC uses his sharp wit to slice through the beats, while the backdrop of the song provides a haunting atmosphere that prompts listeners to ponder their own stories. It’s a testament to D Double E’s versatility, proving that he can drop knowledge and wisdom with the same precision he uses to lay down his more hard-hitting tracks. “Where Do We Come From?” resonates deeper than the surface-level hype—it resonates in the heart.
25. Hear That – Gorgon City
Grime scene icon D Double E collaborates with house music duo Gorgon City on their new single “Hear That,” skillfully blending house and grime elements with rave-inspired refrains and unique igloo presets. The song’s video, directed by Salim Adam, features D Double E as a local ice-cream man, where he, accompanied by the DJ duo, delivers his distinctive lyrical style and flair while cruising the neighborhood. This release continues D Double E’s legacy of over a decade in enriching the streets with his unique lyrical prowess.
24. Lyrical Hypnosis – D Double E
D Double E ain’t just weaving words; he’s crafting spells, bending minds with the kind of verbal dexterity that’ll hook you from the jump. Every verse packs a punch, every line’s delivered with that legendary cadence that’s all his. It’s like every bar is a piece of a larger incantation, leaving listeners in a trance, nodding to the beat, enchanted by the lyrical prowess. In “Lyrical Hypnosis,” D Double E showcases not just his ability to ride the rhythm but to hypnotize the masses, proving his pen game is as sharp as ever. This track? It’s not just a song; it’s a state of mind.
23. Jurgen – Scorcher
The brief excerpts shared on social media don’t quite capture the essence of the track. Initially, 30-second Instagram clips make it seem disjointed and harsh, but when experienced in its entirety, it really resonates with me. It’s only when you listen to it from beginning to end that its true quality shines through.
22. Tell Me A Ting – D Double E
The track’s like a master class in mic control; D Double E’s signature ad-libs and sharp delivery cut through the mix, setting the tune ablaze with charisma. The beat? Merciless. It’s that kind of riddim that’s grimy enough for the underground but still resonates with the masses, nodding to old school roots while keeping it fresh. In this joint, D Double manifests as the sensei of the scene, schooling cats on how the game is played. “Tell Me A Ting” ain’t just music; it’s a statement, a reminder that D Double E’s pen game and vocal artillery stay elite. It’s the kind of track that gets the rewind every time it rolls through—no cap.
21. Don – D Double E
You feel the respect he commands the moment the beat drops; it’s that raw blend of bravado and lyrical prowess that sets the tone. Listening to “Don” is akin to sitting courtside watching a master at work, toying with the competition. With every spitfire verse, D Double E reinforces his dominion, schooling rookies and veterans alike on the art of flow and wordplay. Ain’t no need for bling and flash when you’ve got skill speaking volumes. This track stands as an anthem, an assertion of his legendary status—D Double E embodies the very essence of a Don in grime.
20. Life Line – D Double E
D Double E navigates the choppy waters of vulnerability with the same ease as he rides a heavy beat. It’s a potent reminder that even the hardest spitters in the grime world got layers; they’ve got heart behind the bars. In this joint, Double E resonates with those caught in the struggle, dishing out verses that serve as a rope to cling to. The wisdom in his wordplay, the grit in his voice—it’s a blend that pulls in listeners, whispering that the top can be a lonely place but the climb doesn’t have to be a solo mission. “Life Line” is D Double E reaching out, not just spitting truths but extending a hand with them.
19. Top Boy (feat. P Money) – Asher D
P Money) by Asher D Aight, check it—when you talk about Asher D dropping “Top Boy” with P Money, you’re peeping the intersection of grime and road rap royalty. This track right here is a heavy hitter, where Asher D, aka Ashley Walters, steps back into the booth and merges his acting chops with that raw, lyrical energy he’s known to pack. And P Money? Dude’s known to never pull his punches, bringing that guttural fire that spits out bars like they’re worth their weight in sterling. This collab isn’t just a nod to the street narrative; it’s a testament to staying power in the ever-evolving grime scene, with both artists staking their claim, not just as top boys of their craft, but as storytellers who’ve lived the tales they spin. It’s gruff, it’s real, and it bangs with the kind of authenticity you can’t fabricate.
18. Times Change – Mall Grab
17. Glory – D Double E
D Double E staked his claim, anchored deep in the roots of UK grime, and with tracks like this, it’s clear he ain’t budging for nobody. The track’s a crowning moment; it’s got that royal vibe, you feel me? D Double lives up to his rep, painting pictures of hustle, triumph, and legacy. It’s like every bar is chiseled out of hard-won experiences, reflecting on victories big and small. In the pantheon of his bangers, “Glory” stands out as a testament to staying power, to the kind of success you earn bar by bar, beat by beat. A legit soundtrack for anyone grinding towards their own glory.
16. Original Format – D Double E
D Double E ain’t just spittin’ lines; the brother’s crafting anthems. And this one? It’s a masterclass in bridging that old school hip-hop ethos with the gritty grime blueprint. It’s as if he’s got one foot in the golden age boom-bap and the other in the London underground. And the beat? It’s that hard-hitting, head-nodding type that makes you scrunch your face up like it’s judgment day. This is D Double schooling the masses on sticking to roots while also evolving. “Original Format” ain’t just a track; it’s a stance, a reminder from the general that even as times change, the essence remains non-negotiable. It’s about honoring the blueprint but never being afraid to leave your own mark—make sure that original format gets respect, but update the software. That’s the philosophy behind this banger.
15. Reload It (feat. Demon & D Double E) – Kano
This track is a cornerstone of what grime stands for, a pure adrenaline rush with a raw, uncut U.K. flavor that’s hard to rival. The synergy between these artists creates an electric atmosphere—you got Demon and D Double E trading verses with Kano, and it’s like a high-speed chase through the streets of London with that gritty, underground soundtrack. “Reload It” ain’t just a track, it’s a grime anthem that harks back to the pirate radio days, painting a vivid picture of the scene’s roots. The kind of joint that gets the wheel-ups in the raves and has everyone chanting bars in unison. Kano sets the pace, D Double E brings the razor-sharp wit and Demon rounds off the trinity with flare. It’s pure energy, no filler, capturing the essence of what it means to be at the top of the grime game.
14. That’s Not Me – Remix – Skepta
But when the remix hit, the temperature in the room hit a new level, fam. Bringing in the talents of a man who needs no introduction, D Double E, along with a slew of other grime heavyweights, the remix turns a banger into a full-on grime anthem. It’s a cypher-style showcase, with each MC throwing down verses like gauntlets, spitting razor-sharp lines over an instrumental that’s as gritty as the London streets. This remix ain’t just a track; it’s a monumental moment in grime history, proof that no matter how the scene evolves, the essence remains unchanged. It’s a testament to Skepta’s vision and D Double E’s legendary status—real recognize real.
13. Freestyle – Tom Zanetti
My insights are tuned to dig deep into the crates of Hip Hop and its living legends, but this particular track by Tom Zanetti, who’s known more for his work in the house and electronic music scenes, doesn’t fall within the grooves of my vinyl knowledge. If that beat’s got a Hip Hop soul, it’s not one I’ve been schooled on, fam. Keep it locked here for the 411 on Hip Hop’s heavy hitters, though.
12. Double Trouble (feat. Unknown T & D Double E) – GRM Daily
This track is the crux of raw talent meeting raw energy, a no-holds-barred session where the mic gets passed between two generational talents, each spitting flames with the kind of controlled ferocity that’s made them pivotal figures in the UK scene. The synergy here is mad – D Double E, a grime veteran whose ad-libs and distinctive flow pattern have become as iconic as the genre itself, trading verses with Unknown T, the drill maestro whose guttural tones and rhythmic dexterity have redefined the boundaries of UK drill. “Double Trouble” isn’t just a convergence of styles; it’s a showcase of what happens when experience meets the cutting edge, when the originators ride the wave of the new school’s surge. This right here is heavy-hitter material, the sort of track that’s built for sound systems and set to leave a mark on both the streets and in the archives.
11. Afterthought – D Double E
It’s that moment when the beat hits, and you’re pulled back to the roots of grime where the rhythms are raw and the words, they don’t just rhyme, they resonate. D Double E sets the tone with the precision of a master wordsmith, his bars morphing into a gritty sermon that preaches the street gospel according to grime. This ain’t your fly-by-night track; it’s a deep cut for those who know the history. It’s a testament to D Double E’s relentless nature, a reminder that in the culture’s collective consciousness, the man’s flow and legacy are anything but an afterthought.
10. Stuttering – P Money
P Money, that South London spitter, known for his rapid precision and ferocious delivery, doesn’t play around on this track. He dissects the beat with surgical skill, his flow tight, complex, and utterly unapologetic. It’s as if the man’s got a vendetta against the mic, each bar packed with intensity and sharp wit that could slice through steel. “Stuttering” is that kind of anthem that has the mandem screw-facing from the jump. P Money takes no prisoners, his lyricism a weapon of mass destruction against any doubters. It’s a showcase of pure talent, where every verse reinforces his rep in the grime world. When this track hits, the energy shifts, it’s a call to arms for anyone who holds the art of MC’ing in high regard. In the sea of spitters, “Stuttering” cements P Money’s status as a lyrical heavyweight champ, no stutter about it.
9. Street Fighter Riddim – D Double E
D Double E, blesses the beat with such a cold flow that it’ll have you feeling like Ryu hitting a Hadouken straight to your speakers. This cut right here is a nod to the classic arcade era, marrying that 8-bit nostalgia with the raw, gritty essence of UK grime. It’s a perfect storm of nerdy references and streetwise bravado, executed with the lyrical precision only a vet like Double can deliver. This beat knocks, the bars hit hard, and by the end of it, you can’t help but feel victorious, like you’ve just KO’ed the final boss in your own concrete jungle. “Street Fighter Riddim” isn’t just a track, it’s a grime anthem that had the whole scene pressing replay.
8. Class of Deja (feat. D Double E & Ghetts) – Kano
This hardcore, neck-breaking anthem is more than a track; it’s a time capsule that unleashes the fury and hunger of an era when these MCs were crafting the blueprint of a movement. D Double E comes through with his trademark delivery, laid-back but heavy-hitting—a combo only a seasoned vet can execute. Bars sharper than a box cutter slice through the nostalgia, while the beat knocks like it’s trying to bust down the door to the past. “Class of Deja” isn’t a history lesson; it’s a live demonstration by masters of the craft, with D Double E standing as a pillar of the scene, schooling all those who dare to touch the mic after him.
7. Mobb Mentality – D Double E
This track is an education, a class where the only subject on the syllabus is realness. The beats are hard, the rhymes are sharp, and the message is clear: D Double E rolls deep with authenticity, not just in his crew, but in every word he spits. It’s a track that doesn’t just bounce; it bounces with the weight of lived experience. “Mobb Mentality” is a hip hop dissertation, a blueprint laid out by a grime architect, teaching the uninitiated how to build empires with nothing but words and wit.
6. Ladies Hit Squad – Skepta
We’re diving into “Ladies Hit Squad” by the man who needs no introduction, Skepta. This track flexes a different muscle in Skepta’s chronicle of bangers, ’cause here we got a smooth, laid-back vibe that’s soaking in that after-hours essence. With a hook that’s more silk than streets, it’s tailored for them late nights when the squad’s looking as crisp as the beats. Skepta ain’t alone on this joint—he’s rolling deep with D Double E and A$AP Nast, each bringing their own flavor to the mix. It’s like a masterclass in how to slide on a beat without losing that grime feel. “Ladies Hit Squad” is a nod to the lovers in the scene without losing the edge that Skepta’s known for. It’s a track that shows the versatility of grime, letting it simmer rather than boil over.
5. Wagwarn Mumsy – P Money
4. Selecta – Danny Byrd
3. 04:59 – Songer
2. Balaclava (feat. Spyda, D Double E & Frisco) [Skeptical Remix]
This track is like that iconic tag team on the mic, bringing together artists that turn the heat up on every verse, gripping the beat tight with lyrical finesse. D Double E in particular, he hits with his signature tone, that distinct, sharp delivery which cuts through the mix like a knife. This remix ain’t just a track; it’s an anthem, a call to arms for the heads who know their history and crave that deep, resonant UK sound. Skeptical’s touch on the production? Icing on the cake, fam. He switches up the tempo and drops the kind of bass that rattles your chest. It’s a head-nodder, no doubt.
1. Swerve It – Bou
One of the biggest collaborations of the year featuring Bou, Camo, Krooked, Mefjus, Mila Falls, P Money, and D Double E for their track ‘Swerve It’. This is not a track you’ll want to miss as it masterfully blends each artist’s unique style, complemented by incredible vocals and a bassline distinctly reminiscent of Mefjus. The EP delves deeper with the B Live-led ‘Nan Slapper’, before transitioning to Bou’s signature old school, deep-mix style in tracks like the globe-trotting ‘Malta To Ibiza’, the intense ‘La Kasbah’, and the electrifying ‘3 Letters’. In short, it’s a sensational collection.
