Released: 2023
“Bigger thën everything” by Yeat is an unapologetic proclamation of his rise to wealth and status. The lyrics convey themes of success, transformation, and opulence as he contrasts his past struggles with his current luxurious lifestyle. This track captures Yeat’s brash confidence, his disconnect from others, and the alienation that often accompanies fame.
The song begins with a haunting repetition of “I-I-I-I-I’m working on dying,” which can be interpreted as a nod to Yeat’s hustle mentality and a reference to a common theme in hip-hop of striving for success. The intro by producer BNYX sets the tone for a track filled with bold statements and an aggressive sound. This repetitive phrasing lays the groundwork for Yeat’s story of ambition and dominance.
In the first verse, Yeat wastes no time diving into his narrative. “Now this shit got big, this shit got bigger than ever,” he says, emphasizing how his career has exploded. He highlights his recent trip to Los Angeles, a symbolic destination in the entertainment industry. With “I just hopped the jet, this shit go straight to L.A,” he not only talks about his geographical move but metaphorically marks his transition into a larger-than-life lifestyle.
The wealth motif continues as Yeat declares “Bitch, I done got rich, I done got richer than ever,” and “Now, I got these whips, these whips bigger than ever.” Here, ‘whips’ is a slang term for expensive cars, showing that his newfound success has afforded him the ability to own luxury vehicles. This imagery is classic hip-hop braggadocio, meant to impress and establish status among peers.
A metaphorical weather change reflects his transformation, with lines like “I’m an alien, bitch, I feel like changin’ the weather.” This alien reference hints at Yeat’s feelings of detachment from others, now that his status has changed. It also nods to his otherworldly presence in the industry, as though his ascent has taken him to new, unfamiliar realms. Yeat portrays himself as an entity that disrupts the norm.
The next few lines are packed with devil imagery, as he equates his lifestyle to being “high as them devils.” In this context, the devils could symbolize both the temptations and the elevated lifestyle that wealth and fame bring. It’s as though his success places him in an elite, untouchable sphere—where only the wickedly influential exist.
Yeat delves into a brief reflection with “I remember back, when I was fuckin’ broke,” marking a clear divide between his past and present. The switch to “chillin’ out in southern France on a boat” contrasts sharply with his previous struggles, painting a picture of triumph and escape. His success isn’t just financial but geographical, showing freedom and an escape from the confines of his past.
In his chorus, “All my money flip, all my money bloats,” Yeat refers to the increase and multiplication of his wealth. ‘Flipping’ is slang for making money grow through investments, while ‘bloating’ suggests his wealth is expanding significantly. This is classic hip-hop storytelling, where the accumulation and exhibition of wealth validate success and effort.
Yeat continues with aggressive lines like “I call the mob and they come kill ’em,” using hyperbole to emphasize his influence and power. It’s less about literal violence and more a figurative way of saying he’s untouchable, surrounded by people who are loyal and can act on his behalf, amplifying the power that money affords him.
Closing the track, the outro echoes the sentiment that “Now this shit got big, this shit got bigger than ever.” It’s a reaffirmation of everything he’s built. He circles back to the initial hook, reiterating his success and alien-like rise above all else. Historically, Yeat’s journey from obscurity to fame embodies a familiar yet compelling narrative within hip-hop—a testament to transformation, resilience, and ultimately, dominance in an unforgiving industry.
