Released: 2018
In “Make Luv,” Brent Faiyaz dives into themes of longing, betrayal, and a resurgence of self-worth. He articulates the frustration and hurt of feeling overlooked in a relationship, while also portraying a newfound sense of confidence and success. The song paints a vivid picture of a man who has evolved and now sees himself through a lens of self-importance and resilience.
The song opens with Faiyaz questioning why his partner has made him wait, signifying a sense of neglect. The line, “I don’t like being in the dark,” speaks to his desire for clarity and communication. It underscores the emotional toll that this lack of transparency has taken on him, setting a somber tone from the outset.
When Faiyaz mentions that “Half the time, it’s like you ain’t there,” he’s lamenting a lack of presence and engagement from his partner. This sentiment captures the heartache and solitude experienced when one feels emotionally abandoned, even in the context of a relationship. He goes on to confront the reality that his partner has ceased to care, reinforcing a sense of betrayal.
The reference to “My money long / This Moncler coat feels nice” introduces an interesting contrast. Despite the personal turmoil, he asserts his financial success and the superficial comforts that accompany it. The mention of the luxury brand Moncler symbolizes a shift in priorities or a form of self-assurance through material success.
As he continues, “Who even knows your name? / No one, no you won’t,” Brent turns the focus outward, belittling the partner’s significance and implying that she will soon fade into obscurity without his presence. It reflects a transition from feeling undervalued to recognizing his own worth.
The line, “You trippin’ balls / I’m a superstar,” highlights his awareness of his elevated status and confidence. He’s unbothered by his partner’s potential discontent and acknowledges his own rise in stature. It’s a clear shift from vulnerability to strength, emphasizing his stardom and ability to succeed independently.
Throughout the chorus, the repetition of “Thought I wasn’t much / But now you wanna make love” underscores the hypocrisy he perceives in his partner’s behavior. Once disregarded, he now sees that she seeks intimacy and connection after realizing his value. This repeated refrain amplifies his newfound empowerment and incredulity at her sudden change of heart.
Brent Faiyaz doesn’t shy away from pointing out his partner’s decisions and their repercussions, “You left me, stay with him / Live with your decision.” He takes a firm stance on accountability, urging her to confront the choices she made. It’s a moment of liberation and finality for him, releasing any lingering attachment.
When he states, “Try to call now, it just might break your heart,” it is both a warning and a declaration of self-preservation. He’s suggesting that reaching out now, after dismissing him previously, will be more painful for her, as he is no longer the man she took for granted.
The conclusion of the song is a powerful reflection on self-realization. Despite the emotional upheaval, he reclaims his dignity and expresses contentment with his achievements, material and otherwise. Faiyaz ends with an air of triumph and resilience, a reminder that personal growth often follows heartache. His narrative aligns with the recurring themes in his work—an intricate blend of vulnerability, heartbreak, and defiant confidence.
