Released: 2025
“wgft” by Gunna featuring Burna Boy presents a lively narrative encapsulated within the tapestry of partying, love, and sensual encounters. It seamlessly blends themes of passion and reckless abandon with a catchy and repetitive hook that sticks in listeners’ minds. While its language may be straightforward and provocative, the lyrics hint at deeper explorations of fleeting intimacy and social connections in the contemporary world.
The recurring hook “We gettin’ fucked tonight” punctuates the song, providing a pulsating rhythm that carries the overall party atmosphere of the track. This repetition not only cements the carefree attitude of the narrative but also creates an inclusive invitation to partake in the celebration. Gunna’s repetition suggests an attempt to elevate the night to an unforgettable level of fun, underscoring the track’s theme of indulgence and temporary pleasures.
Opening with “It’s so amazin’ what we’ve done / Ridin’ the wave of love as one,” Gunna establishes a feeling of unity and shared experiences. This line, while simple, acts as a prelude to the night of hedonism the song celebrates. It positions the characters in the song as “stars under the sun,” perhaps alluding to the idea that in these moments, they are all significant and central to their shared story, regardless of tomorrow’s consequences.
Gunna continues into the verses, using vivid imagery to highlight the sensual encounters taking place. Phrases like “suck it when I drive” and “spread that pussy wide, let me go for a dive” unabashedly capture the erotic energy at play. The use of colloquial and sometimes explicit language keeps the track grounded in the authenticity of the culture from which it arises. Here, Gunna adopts a bold narrative voice, presenting the rawness of human connection in a night filled with impulse and instinct.
Midway through the song, the verses take a somewhat assertive tone with “Stop callin’ her phone, she gettin’ fucked tonight.” The lyric delivers a dismissive message to an outsider, illustrating a boundary of exclusivity and immediacy that the evening entails. The suggestion is that emotional attachments and external concerns are irrelevant, for the focus is on the immediate thrill and mutual desires that fill the space.
Burna Boy’s entrance brings a contrast with a nuanced cadence and linguistic switch. The lyric “Don’t bring your friend if it ain’t gonna be a threesome” reflects the explicit intentions but also showcases a playful boundary-pushing approach to romance. His phrase “I dey control, whoa-whoa, call me remote” uses Nigerian Pidgin English to reinforce his commanding presence within the context of the party.
Continuing his contribution, Burna Boy uses his verse to elaborate on his personal sway and impact with lyrics like “If I don’t do nothin’, I do the most.” This clever juxtaposition highlights an exaggerated confidence that blends humor and boastfulness, effectively rounding off the track’s unabashed nature.
Returning to the initial motif, the final chorus reiterates the message with even greater intensity, enveloping the listeners once more in its hedonistic embrace. By repeating “we gettin’ fucked tonight,” Gunna reinforces the transient and electrifying essence of such nights, marked by their liberation from reality and restraint.
At its core, “wgft” exemplifies a cultural snapshot where leisure, sexual exploration, and the pursuit of momentary joy become defining aspects of identity. Gunna and Burna Boy weave together influences from their diverse backgrounds, creating a collaboration that thrives on its lively spirit and unabashed exploration of pleasure.
Historically, hip-hop has often ventured into these realms, making “wgft” both a contemporary echo and a fresh take on themes of liberation and togetherness found within nightlife. As such, the track can be seen as both a reflection of current youthful exuberance and an embodiment of the perennial human search for excitement and connection.
