Released: 1986
“Who Is It?” by Mantronix is a celebration and assertion of the artist’s identity and musical prowess. The track essentially revolves around Mantronix asserting his role in the hip-hop scene, questioning who else but him can dominate and innovate within the genre. It’s both a declaration and an invitation for listeners to acknowledge and participate in the rhythm-driven, energetic landscape he orchestrates.
The song kicks off with the repeated questioning of “Who is it?” creating an atmosphere of intrigue and a setup for Mantronix’s entrance. This hook lays down a foundational loop, a chant of sorts, drawing listeners in and building anticipation. The repeated query not only establishes a rhythmic foundation but also invites listeners into the narrative as if they’re participants in the mystery being unfolded.
In the first verse, Mantronix highlights his technical skills, describing himself as someone who can ‘roll up, watch a rhythm, rock a record in time.’ This showcases his confidence and ability to control and manipulate the music in a masterful manner. The mention of ‘disassembling disillusion’ implies that Mantronix sees himself as clearing away misconceptions or pretenses in music, demonstrating his clear vision and creative authority.
He goes on to proclaim himself as the ‘best stock in the west,’ positioning himself as an unmatched figure in hip-hop. ‘Mr. Clean of the hip-hop mess’ suggests he considers himself an entity that brings clarity and quality amidst the chaos or lesser quality found elsewhere. The wordplay not only boosts his persona but sets the stage for a larger-than-life presence.
As the song progresses, we find an element of satire and playful contradiction. Describing himself as a ‘party superstar with the image ironic’ could be referencing the blend of serious musicianship with a party-centric image. This juxtaposition serves to enhance his character and implies depth beyond mere showmanship.
Mantronik’s references to taking over, and even calling himself a ‘thief,’ play into hip-hop’s broader narrative of power, control, and sometimes subversion of traditional norms. It’s as if he sees himself as an essential disruptor, someone who steals the scene with innovation and charisma. His imagery suggests a rebellious spirit within the musical community.
The mention of being ‘like a brother like no other’ speaks to the idea of uniqueness and loyalty, both to the craft and to the fans. There is a communal element suggested, where listeners are drawn into this familial fold, connected by music and shared experience. This plays well into the narrative of unity often found in hip-hop.
Later verses emphasize Mantronix’s connection to Brooklyn, suggesting geographical and cultural roots that ground his music. This aligns him with a lineage of influential artists who use their locale as a foundation for their identity and artistic expression. By evoking ‘Brooklyn sound,’ Mantronix taps into the powerful association with authenticity and street credibility.
Towards the conclusion, Mantronix declares, “Let’s show the party people that we’re not done!” This call to action energizes the listener and reinstates the communal party spirit, rounding off the track on an engaging note. It’s not just about his journey but about sharing it with the audience.
The song, with its repetitive but catchy hook, creates an environment where Mantronix’s persona thrives. Throughout, there’s a clear emphasis on rhythmic precision and musical skill, elevating it beyond just lyrical bravado. In context, Mantronix’s track could be seen as a foundational element within hip-hop, marking its ability to both question and redefine boundaries while staying true to its cultural and musical roots.
